{"id":62273,"date":"2018-08-16T16:06:24","date_gmt":"2018-08-16T15:06:24","guid":{"rendered":"https:\/\/joblistnigeria.com\/?p=62273"},"modified":"2018-08-16T16:06:24","modified_gmt":"2018-08-16T15:06:24","slug":"porkmoney-nigeria-latest-job-vacancies-2-positions","status":"publish","type":"post","link":"https:\/\/joblistnigeria.com\/porkmoney-nigeria-latest-job-vacancies-2-positions.html","title":{"rendered":"PorkMoney Nigeria Latest Job Vacancies [2 Positions]"},"content":{"rendered":"<p>PorkMoney.com \u2013 Africa\u2019s First &amp; Fastest Growing Pig Farming Platform. Pork is the most commonly consumed meat in the world, with Ghana and Nigeria alone consuming over $3Billion dollars worth. More than 80% of Pork consumed in this part of the world is imported, that is monies that when localized would create many financial opportunities for farmers, wholesalers, retailers and the population at large.<\/p>\n<p>We are recruiting to fill the position below:<\/p>\n<p><strong>Job Title:\u00a0Cinematographer<br \/>\nLocation:\u00a0<\/strong>Nigeria<\/p>\n<p><strong>Job Description<\/strong><\/p>\n<ul>\n<li>At Porkmoney we are working to create products and services that would significantly improve the perception of agriculture in Nigeria, with our focus on pig farming and pork production.<\/li>\n<li>To get there, we need exceptionally talented, bright, and driven people. We are looking for a dynamic, organized self-starter to join our Creative team as a Cinematographer.<\/li>\n<li>The cinematographer\u2019s responsibilities as outlined below is an attempt to describe the duties a cinematographer is likely to encounter during his\/her career.<\/li>\n<\/ul>\n<p>Conceptual research and Design:<\/p>\n<ul>\n<li>Discuss all aspects of script and director\u2019s approach to picture in preliminary talks with director<\/li>\n<li>Analyze script as whole<\/li>\n<li>Analyze story structure<\/li>\n<li>Analyze characters<\/li>\n<li>Research period, events, general subject and appropriate design elements<\/li>\n<li>Devise style, visualize approach<\/li>\n<li>Continue talks with director on new ideas<\/li>\n<li>Come to agreement with director<\/li>\n<li>Discuss and come to agreement with production designer<\/li>\n<li>Discuss and come to agreement with technical adviser.<\/li>\n<\/ul>\n<p>Practical Research and Design:<\/p>\n<ul>\n<li>Ascertain or find out budget requirements<\/li>\n<li>Scout and approve locations<\/li>\n<li>Plot sun position for locations<\/li>\n<li>Check local weather<\/li>\n<li>Check tide tables near ocean<\/li>\n<li>Review, discuss and approve set plans<\/li>\n<li>Review, discuss and approve spotting plans for stages<\/li>\n<li>Review and approve props, picture cars, airplanes, boats, horse-drawn vehicles, mock-ups and miniatures<\/li>\n<\/ul>\n<p>Technical Research and Design:<\/p>\n<ul>\n<li>Visit laboratory to calibrate, customize and evaluate exposure system for any combination of electronic or chemical image capture, and establish developing, printing, set timing and transfer protocols<\/li>\n<li>Visit equipment vendors<\/li>\n<li>Explore new equipment<\/li>\n<li>Learn how new equipment works<\/li>\n<li>Invent (or cause to be invented) special equipment or techniques for show<\/li>\n<li>Choose and approve crew, film stock, lab, equipment, second-unit and visual-effects crews<\/li>\n<li>Supervise manufacture and testing of new modified equipment Visit sets under construction<\/li>\n<li>Approve wild walls, ceiling pieces and any moving set pieces<\/li>\n<li>Check lighting-fixture crew<\/li>\n<li>Walk locations and stages with all departments to discuss requirements<\/li>\n<li>Approve set colors and textures<\/li>\n<li>Approve costume colors and textures<\/li>\n<li>Approve makeup and hair<\/li>\n<li>Generate (or cause to be generated) and approve equipment lists for camera, electric and grip<\/li>\n<li>Check dailies screening rooms for correct standards E. Implementation<\/li>\n<li>Cast stand-ins<\/li>\n<li>Train crew to use any new equipment<\/li>\n<li>Walk locations and stages with director and device shooting plan<\/li>\n<li>Make list of special equipment for production manager and indicate number of days required<\/li>\n<li>Work with assistant director on shooting schedule (order and days required for each scene)<\/li>\n<li>Estimate and order film stock (type, size and quantity)<\/li>\n<li>Generate (or cause to be generated) and approve rigging and shooting manpower and man-days<\/li>\n<li>Assist other departments in getting required equipment, manpower and tests<\/li>\n<li>Drop by all departments and visit department heads at least twice a day to answer any questions<\/li>\n<li>Mediate any problems between departments<\/li>\n<li>Check loading of production trucks or cargo containers for location or international shipping<\/li>\n<li>Visit cast run-throughs and rehearsals<\/li>\n<li>Advise and back up director on any problems<\/li>\n<li>Help production problems F. Testing<\/li>\n<li>Shoot tests for style<\/li>\n<li>Shoot tests for lab<\/li>\n<li>Shoot test for lighting of principal actors<\/li>\n<li>Shoot tests for camera and lenses<\/li>\n<li>Shoot tests for wardrobe and makeup<\/li>\n<li>Shoot tests for any special effects processes, unusual rigs props or methods<\/li>\n<\/ul>\n<p><strong>Shooting<\/strong><br \/>\nPlanning:<\/p>\n<ul>\n<li>Check and approve all call sheets and shooting order of the day\u2019s work<\/li>\n<\/ul>\n<p>Blocking:<\/p>\n<ul>\n<li>Watch rehearsal of scene to be shot<\/li>\n<li>Device shot list with director (coverage)<\/li>\n<li>Choose lens and composition; show to director for approval<\/li>\n<li>Make sure composition and movement fulfill scene task<\/li>\n<li>Work out mechanical problems with camera, dolly and crane grips<\/li>\n<li>Set any camera-movement cues<\/li>\n<li>Place stand-ins and rehearse, fine-tune<\/li>\n<li>Ensure proper coverage of scene for editor<\/li>\n<li>Work with assistant director on background action<\/li>\n<\/ul>\n<p>Lighting:<\/p>\n<ul>\n<li>Design lighting to show set\/location to best advantage relative to story, style and dramatic content<\/li>\n<li>Light each actor to reinforce and reveal character<\/li>\n<li>Make sure mood and tone of light help to tell story<\/li>\n<li>Design light for minimum reset time between setups<\/li>\n<li>Utilize painter for control of highlights, shadows, aging, dusting-down of sets and props<\/li>\n<li>Set and match light value, volume, color and contrast of each setup (exposure)<\/li>\n<li>Set any lights cues (dimmers, spotlights, color changes and any preprogramming)<\/li>\n<\/ul>\n<p>Preparation:<\/p>\n<ul>\n<li>Work out any sound problems<\/li>\n<li>Work out any problems with other departments<\/li>\n<li>Check, set and approve all stunts with stunt coordinator<\/li>\n<li>Set any additional cameras required for stunts<\/li>\n<li>Double-check safety with all concerned<\/li>\n<li>Show shot to director to make any final changes<\/li>\n<li>Get actors in for final mechanical rehearsal; solve any outstanding problems<\/li>\n<\/ul>\n<p>Photography:<\/p>\n<ul>\n<li>Photograph scene<\/li>\n<li>Approve or correct take<\/li>\n<li>Check parameters and reset for next take<\/li>\n<li>Shoot any plates<\/li>\n<li>Shoot any video playback material<\/li>\n<li>Make sure that stills are taken of scene<\/li>\n<\/ul>\n<p>Administrative:<\/p>\n<ul>\n<li>Make sure script supervisor has any special camera or lighting notes<\/li>\n<li>Check film raw stock inventory<\/li>\n<li>Try to shoot up short ends<\/li>\n<li>Check that camera logbook is being kept up to date<\/li>\n<li>Complete day\u2019s work<\/li>\n<li>Discuss first setup for the next day<\/li>\n<li>Ensure that camera, electrical and grip crews get all copies of equipment rental or purchase invoices and approve before accountants pay vendors<\/li>\n<li>Take care of any future or ongoing production at end of day<\/li>\n<li>Check for return of all unused equipment<\/li>\n<\/ul>\n<p>Training:<\/p>\n<ul>\n<li>Teach beginning actors movie technique (hitting marks, size of frame, lenses, etc.)<\/li>\n<li>Train camera crew for next job up the ladder I. Contingency<\/li>\n<li>If director is disabled, finish day\u2019s shooting for him or her<\/li>\n<\/ul>\n<p>Interested and qualified candidates should:<a href=\"https:\/\/www.linkedin.com\/jobs\/view\/cinematographer-at-porkmoney-com-812043666?trkInfo=searchKeywordString%3A%2CsearchLocationString%3A%252C%2B%2Cvertical%3Ajobs%2CpageNum%3A5%2Cposition%3A10%2CMSRPsearchId%3Ac51d6067-e28c-481a-93df-954cdbfb2674&amp;refId=c51d6067-e28c-481a-93df-954cdbfb2674&amp;trk=jobs_jserp_job_listing_text\" target=\"_blank\" rel=\"noopener\"><strong> Click here to apply<\/strong><\/a><\/p>\n<p>&nbsp;<\/p>\n<p><strong>Job Title:\u00a0Videographer<br \/>\nLocation:<\/strong>\u00a0Nigeria<br \/>\n<strong><br \/>\nJob Description<\/strong><\/p>\n<ul>\n<li>At Porkmoney we are working to create products and services that would significantly improve the perception of agriculture in Nigeria, with our focus on pig farming and pork production.<\/li>\n<li>To get there, we need exceptionally talented, bright, and driven people. We are looking for a dynamic, organized self-starter to join our Creative team as a Videographer.<\/li>\n<\/ul>\n<p><strong>Summary<\/strong><\/p>\n<ul>\n<li>Operates video cameras and related equipment in the production and editing of video documentaries, educational television programs, or other video productions such as sporting events or scouting video.<\/li>\n<\/ul>\n<p><strong>Duties and Responsibilities<\/strong><\/p>\n<ul>\n<li>Operates video cameras, on location or in the studio, in the production of professional pre-recorded programming.<\/li>\n<li>Designs, transports, sets up, and operates production equipment, including audio and lighting equipment, for field and studio productions.<\/li>\n<li>Computer edits video segments on a variety of tape and digital formats.<\/li>\n<li>Completes trouble and preventive maintenance reports on video and audio production equipment; assists in repair and upkeep of studio and production sets and properties.<\/li>\n<li>Maintains equipment inventory and field and studio production schedules.<\/li>\n<li>Performs miscellaneous job-related duties as assigned.<\/li>\n<\/ul>\n<p><strong>Minimum Job Requirements<\/strong><\/p>\n<ul>\n<li>Graduate level<\/li>\n<li>Completed degree(s) from an accredited institution that are above the minimum education requirement may be substituted for experience on a year for year basis.<\/li>\n<\/ul>\n<p>Knowledge, Skills and Abilities Required:<\/p>\n<ul>\n<li>Ability to operate, maintain, troubleshoot, and perform repairs to audio and video equipment.<\/li>\n<li>Ability to effectively manage time and schedules.<\/li>\n<li>Records maintenance skills.<\/li>\n<li>Ability to configure, operate and maintain studio and\/or field audio, lighting and associated production equipment.<\/li>\n<li>Knowledge of computerized tape editing applications and procedures.<\/li>\n<li>Knowledge of professional audio and\/or video tape editing and post-production procedures, techniques, and standards.<\/li>\n<\/ul>\n<p>Interested and qualified candidates should:\u00a0<a href=\"https:\/\/www.linkedin.com\/jobs\/view\/videographer-at-porkmoney-com-812048197?trkInfo=searchKeywordString%3A%2CsearchLocationString%3A%252C%2B%2Cvertical%3Ajobs%2CpageNum%3A5%2Cposition%3A9%2CMSRPsearchId%3Ac51d6067-e28c-481a-93df-954cdbfb2674&amp;refId=c51d6067-e28c-481a-93df-954cdbfb2674&amp;trk=jobs_jserp_job_listing_text\" target=\"_blank\" rel=\"noopener\"><strong>Click here to apply<\/strong><\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>PorkMoney.com \u2013 Africa\u2019s First &amp; Fastest Growing Pig Farming Platform. Pork is the most commonly consumed meat in the world, with Ghana and Nigeria alone consuming over $3Billion dollars worth&#8230;&#8230;<\/p>\n","protected":false},"author":10164,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"om_disable_all_campaigns":false,"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_newsletter_tier_id":0,"footnotes":"","jetpack_publicize_message":"","jetpack_is_tweetstorm":false,"jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","enabled":false}}},"categories":[47],"tags":[],"jetpack_publicize_connections":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v21.5 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>PorkMoney Nigeria Latest Job Vacancies [2 Positions] - Jobs in Nigeria<\/title>\n<meta name=\"description\" content=\"PorkMoney.com \u2013 Africa\u2019s First &amp; Fastest Growing Pig Farming Platform. Pork is the most commonly consumed meat in the world, with Ghana and Nigeria\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/joblistnigeria.com\/porkmoney-nigeria-latest-job-vacancies-2-positions.html\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"eddy\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"6 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\/\/joblistnigeria.com\/porkmoney-nigeria-latest-job-vacancies-2-positions.html\",\"url\":\"https:\/\/joblistnigeria.com\/porkmoney-nigeria-latest-job-vacancies-2-positions.html\",\"name\":\"PorkMoney Nigeria Latest Job Vacancies [2 Positions] - Jobs in Nigeria\",\"isPartOf\":{\"@id\":\"https:\/\/joblistnigeria.com\/#website\"},\"datePublished\":\"2018-08-16T15:06:24+00:00\",\"dateModified\":\"2018-08-16T15:06:24+00:00\",\"author\":{\"@id\":\"https:\/\/joblistnigeria.com\/#\/schema\/person\/dd74dfff99e4b199112e0e4cbabd5ee6\"},\"description\":\"PorkMoney.com \u2013 Africa\u2019s First &amp; Fastest Growing Pig Farming Platform. 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